However, Phillips, a student of Garber’s at the Pennsylvania Academy, was described as one of three Garber students whose work “best represent his influence in Bucks County. . . . His work represents some of the finest adaptations of Garber’s style.” (Folk 102)
Other teachers who were influences on Phillips’ mostly traditional style were William Merritt Chase, Cecilia Beaux, and Hugh Breckenridge. But judging by his painting, Point Pleasant, Pennsylvania (circa 1920), Phillips did some experimentation with modernism as the work was described as having “an energetic all-over pointalist technique. The entire canvas is composed of tiny brightly colored dots and dashes of pigment.” (Folk 102)
Samuel George Phillips had studios in New York City, Philadelphia, and also lived in Atlantic City, New Jersey. Memberships included the Philadelphia Art Club. The Pennsylvania Academy was an exhibition venue for the years 1913, 1920-24, 1932 and 1937. He also exhibited work at the Corcoran Gallery and the National Academy of Design.